古墓丽影1 tomb raider 古墓丽影2 西安匕首 tomb raider The Dagger of Xi'an 古墓丽影3 劳拉的冒险 tomb raider Adventures of Lara Croft 古墓丽影4 最后的启示 tomb raider The Last Revelation 古墓丽影5 历代记 tomb raider Chronicles 古墓丽影6 黑暗天使 tomb raider The Angel of Darkness 古墓丽影7 传奇 tomb raider Legend
Tomb Raider
古墓丽影1

The Dagger of Xi'an
古墓丽影2:西安匕首

Adventures of Lara Croft
古墓丽影3:劳拉的冒险

The Last Revelation
古墓丽影4:最后的启示

Tomb Raider: Chronicles
古墓丽影5:历代记

The Angel of Darkness
古墓丽影6:黑暗天使

Tomb Raider: Legend
古墓丽影7:传奇

古墓丽影 周年纪念 tomb raider Anniversary
古墓丽影8 地下世界 tomb raider Underworld
劳拉与光之守护着 光明守护者 Lara Croft and The Guardian Of Light
古墓丽影9 tomb raider 2013
劳拉与奥西里斯神庙 Lara Croft and the Temple of Osiris
古墓丽影:崛起 Rise of The Tomb Raider
古墓丽影:暗影 Shadow of the Tomb Raider

Tomb Raider: Anniversary
古墓丽影:十周年纪念版

Tomb Raider: Underworld
古墓丽影8:地下世界

LCGOL
劳拉与光之守护者

TOMB RAIDER
古墓丽影9

LCTOO
劳拉与奥西里斯神庙

Rise of The Tomb Raider
古墓丽影10:崛起

Shadow of the Tomb Raider
古墓丽影11:暗影

水晶动力开发日志:《古墓丽影10:崛起》幕后故事

发表时间:2015-10-30  来源:“ZZer”转载  作者:古墓丽影中文站  浏览次数:49593  
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[目录] [Building the Myths of Rise of the Tomb Raider] [Finding Inspiration for Rise of the Tomb Raider] [Research and Reference in Rise of the Tomb Raider] [Building from Life] [Creating Believable Hair and Fur] [Creating Believable Materials] [Creating Believable Skin and Character Material Effects] [Creating Motion and Emotion with Animation] [Bringing Lara to Life with Blendshapes] [Physically Based Rendering and Post Effects] [Building Larger Worlds with More Fidelity] [Snow Tech and Houdini Simulations] [Scoring Dynamic Combat with Procedural Music] [“I Must Not Fear”] [The Bear Chase] [Rise of the Tomb Raider for Stealth Gamers] [Rise of the Tomb Raider for Puzzle Gamers] [The Evolution of Tomb Raider Hubs] [Expedition Modes] [A Little Thing About A Little Thing]

Dev Blog: The Bear Chase
Tracy Jasperson and Anthony Garttmeyer

点击查看原文

Animators on Rise of the Tomb Raider

[Leading into the launch of Rise of the Tomb Raider, we’ll feature a variety of developer blogs that lift the curtain on the creation of Lara’s first great tomb raiding expedition.

The bear showcases one of our pillars in the Tomb Raider franchise - “Woman vs. Wild”. We have a few aggressive animals in the game, but wanted the bear to be the most intimidating and difficult gameplay experience for the player, as it would be in the real world. The bear also depicts Lara’s growth through Rise of the Tomb Raider, acting as a gauge of your skill level. Your first encounters with the bear will be quite difficult, but as you level up Lara and invest in your skills and weapons you can start approaching each bear encounter in your own unique way. Maybe you use poison arrows to quickly take it down, or unload clips and grenades from your upgraded SMG. The choice is yours, but whatever ingredients you decide to use will gradually help turn the tables in Lara’s favor.

The team really wanted to introduce the bear in a unique and engaging way because it’s a persistent threat throughout the entire game. After throwing around a lot of ideas, we landed on a chase sequence because we felt the team could create a compelling mixture of scary and intimate moments. Intimate in the sense of personal and close, not a close friend. We wanted to put you in a visceral situation that most people would hopefully never encounter…

The creation of this particular sequence was a very collaborative process for all the team members so it was fun to work on. We started off with some awesome ideas and creative concepts and we tried to find as much reference for what we wanted each section to feel like. Then we outlined the overall guidelines and goals for the sequence and began the storyboard process on paper. Once the storyboards were complete and approved we, the animators, started to bring the sequence alive one meticulous animation at a time.

We look at each cinematic gameplay moment as a mixture of exotic systemic gameplay and highly interactive scripted moments. We constantly challeng ourselves to create the correct blend of these ingredients. The goal is to keep you on the sticks and engaged while you’re saying, “I can’t believe this is playable!” While it is a very difficult challenge that we struggle with for each of these sequences, we feel the challenge is extremely rewarding for both the development team and you, the player. We want you to feel all the intensity and emotion we felt while crafting it; if you do, we’ve succeeded. It can be difficult sometimes to strictly follow guidelines and goals while trying to build a creative and unique experience. Some of the guidelines we had to consider were the amount of space we had for this sequence, the time we wanted the player to spend in each moment, and the difficulty curve of the overall experience.

The goal of the beat is also considered an important guideline. We had to make sure that the sequence was serving its purpose. The purpose of the bear chase, first and foremost, is to introduce the bear as a very powerful, angry animal, and establish it as a worthy opponent for Lara. It is a high action, cinematic moment that is supposed to feel scary, tense, exciting, and challenging, all at the same time. We also wanted the sequence to feel as immersive as possible without too many unnecessary onscreen button prompts. To successfully hit all these goals and guidelines it was important for all of us to work closely as a team. For this bear chase, it was especially important for the designers and animators to work well together because the implementation of our ideas became quite complicated during a few stages of its development process. It can be challenging for designers and animators to collaborate because designer’s priorities are for the game to FEEL awesome while the animators want it to LOOK awesome. But when we collaborate effectively we can find a good balance of both.

Tracy Jasperson and Anthony Garttmeyer
Animators, Rise of the Tomb Raider

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